16 November 2009
The first two episodes of The Prisoner aired in America last night. Here is a round up of reviews.
Robert Lloyd, Los Angeles Times: “For its third original dramatic series, AMC has chosen to reimagine — as a six-episode miniseries that will run in a clump from Sunday to Tuesday — Patrick McGoohan’s 1967 British spy-fi show “The Prisoner.” (It first aired here in 1968.) If the network, here co-producing with the U.K.’s Granada and ITV, was out to prove itself unafraid to mount another show as slow as “Mad Men,” it has succeeded, with the difference that “Mad Men” is never boring.”
Tim Goodman, San Francisco Chronicle: “In fairness, the new ‘Prisoner’ is not without some winning twists. Ian McKellen as No. 2 (the only No. 2) is always fascinating, even when the dialogue he’s speaking is not…An argument can be made that if you’ve never seen the original, this ‘Prisoner’ might be fresh (and not many people have seen all of the original). But even then there’s not enough dramatic intrigue to keep fans dedicated over three nights.”
Tom Maurstad, Dallas Morning News: “…As a spoiler-free assurance, the show does resolve itself by the end so that most of the questions are at least sort of answered. But everything occurs in such a swirl of fever-dream confusion that you never really feel oriented. Even flashes of the “real” world seem fake. No doubt some will throw up their hands, reach for the remote and click away to America’s Next Iron Chef Dancer or some other easy-viewing outlet. But for those who stick it out, The Prisoner is a beautifully strange and strangely satisfying experience.”
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